AI marketing agency for brands that take moving image seriously

The difference sits in production, not in strategy. Imagery, locations, lighting or variations are partly created in the machine instead of on set. That changes timelines and budget structure, but it replaces neither concept nor direction nor post-production.

No. GOODARTSY is a production unit for creative and moving image. We regularly work alongside client-side media and performance teams and deliver assets in the formats their channels need.

Single formats are possible within a few weeks; larger campaigns typically run four to ten weeks, depending on scope, number of adaptations and approval cycles.

Yes. Look development and style frames are checked against the existing guidelines before production, so colour, typography and visual language stay consistent.

Yes, as a production partner in the background. The client relationship stays with the agency; we take on concept execution, generative production and post.

It depends on scope, number of formats and production depth. Smaller social packages start in the low five figures; larger campaigns with several motifs and adaptations sit above that. After the briefing we name a concrete range before concept work starts.

The usage rights to the delivered assets are yours, in the agreed scope for channels, markets and duration. Models and tools are chosen so commercial use is covered; source material such as product footage or brand assets stays yours.

The EU AI Act introduces transparency obligations for synthetic content, especially for realistic depictions of real people. We document which parts of a production were created generatively and align the labelling with your legal or compliance team.

Yes. Real product shots, filmed footage or appearances by real people can be combined with generative sequences. Where people are involved, the necessary consents are clarified before production starts.

By default 16:9, 9:16 and 1:1 plus cutdowns in the required lengths, along with stills from the production. Additional formats for specific placements are covered within the adaptations.

Briefing and goal definition, concept and style frames, approval, production, post-production and adaptations. Approvals sit at defined points so later correction loops stay small.

The approach makes sense wherever moving image and imagery are needed regularly — beauty, food, fashion, consumer electronics, industry and B2B services. We work with mid-sized companies as well as brand and agency teams.